![]() If you don’t care about spending time making your creations sound polished, probably you’re up to delegate the mixdown and the master to other professionals. You need to consider what’s your focus when working with music, whether it’s beat-making or sounding, mixing or mastering. One of the most common features missing from stock plugins is Mid-Side and/or Left-Right processing, which can be quite a pain, or even impossible, to set up with stock plug-ins. They exist because developers are able to spot lacks of features in stock plugins and come up with solutions that can make some difficult things easier and some impossible things possible. This is another interesting pool of reasons for investing in a third-party VST. Most third-party VSTs you might need can be hardware emulations for the simple reason that they have been developed with a hardware unit in mind that has that particular sound. Deciding if one’s better or worse is only up to you, based on your needs and your preferences. Sometimes I prefer using the Fabfilter Pro-C2 which provides these details, especially when working on a master where I need to be conservative and laser-focused on each tweak.Ĭompressors are all designed differently and this makes each one of them unique. While the GUI of the whole environment can feel comfortable and intuitive to you, some stock plug-ins might not look as inviting.įor example, Ableton has a fixed structure for stock plug-ins that could feel restrictive to some users used to floating larger windows.Ībleton’s Compressor also doesn’t feature a really detailed notation of the dynamic range in any of its monitoring modes, which might be needed for more accurate implementations. More intuitive, detailed GUI and improved workflowĮach DAW has its own GUI, which reflects on its stock plug-ins as well. For example, Ableton has a Compressor, which is neutral, and then it features the Glue Compressor, which is developed with Cytomics, and it’s a replica of Cytomics Glue, a notorious bus compressor with its own flavor.Įxcept for a few scenarios, these are my go-to compressors for most of my needs.Ī third-party VST might be needed for a number of reasons: Some DAWs even come with more than one compressor with different styles. In that case, investing in a third-party VST would be a gamble as you wouldn’t be fully aware of the benefits that it could bring you. Stock plugins are good enough, especially if you’re starting out or if you can’t tell the difference between one compressor and another yet. ![]() Your DAW’s stock CompressorĪll DAWs, as far as I know, come with at least one stock compressor, which most of the time is suited to accomplish the majority of tasks a compressor could. Even if they’re meant for dynamic control, some compressors also introduce harmonic distortion, which makes sounds feel richer and fuller. In poor words, they’re used when you want to control volume over time. Why you need a compressor?Ĭompression comes into place whenever the dynamics of a sound are inconsistent or need to be controlled. They are the tool for nailing dynamics automatically at a micro and macro level when volume automation would be excessively time and energy-consuming. A compressor is a type of processor used to shape the dynamics of an audio signal, making it quieter or louder, softer or punchier depending on your specific needs.
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